When one hears the word ‘extravaganza’, its somewhat bizarre sounding name already keeping us intrigued. It promises something mysterious and out of everyday rhythm, a certain departure to another world with the help of a supernatural power; like in a story by Edgar Allan Poe where the Angel of the Odd appears to the main hero and makes him confess that the bizarre really can occur. The 19thcentury British dramatist, James Planché, was known for his extravaganzas. Planché defined the genre as “the whimsical treatment of a poetical subject.”
At the same time, extravaganza could be associated with an expensive and elaborate theatrical production, something truly spectacular!
The term derives its origins from the Italian word stravaganza, meaning oddness or strangeness. Is definitely something out of the ordinary; always transcending the boundaries of generally accepted norms. An extravaganza musical work is often characterized by freedom of style and structure. All these can be applied when speaking of Anna’s new piano album of the same title ‘Extravaganza’.
The incredible and incendiary mood of her danceable sharp piano compositions, combined with the atypical harmonies inherent in the neoclassical style, together create a truly unique quality album. To end this year on a high note, these most enchanting piano pieces will even bring the gloomiest mood out of stagnation.